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My Acting Warm Up: Part 3

This is the third part in my acting warm up series. This is how I currently do things, but I know that how I warm up will evolve over time as I learn more about acting and about myself.

Just in case if you missed the first two here they are:

My Acting Warm Up: Part 1

My Acting Warm Up: Part 2

Essentially, acting process and voice work need to be unified; alignment needs to be linked to centre, identity, and assertion; breathing needs to become responsive to impulses, vocal onset needs to identify the actor with the character; and vocal response needs to reflect the experiences of the actor/character in the present moment”1

The Beginning

Adding in the vocals

Pairing the voice with explosive movement

Final Thoughts

You should never move into pain, so if you physically can’t do some of the movements, don’t worry.

I am going to go back and add some videos to these blog posts to make better sense of things, so next time I do a self tape I am going to block out time to make some movement GIFs.

Things Mentioned in this Blog Post

Voice into Acting: Integrating voice and the Stanislavski approach by Christina Gutekunst and John Gillett

  1. Christina Gutekunst and John Gillett, Voice into Acting: Integrating voice and the Stanislavski approach (Bloomsbury Methuen Drama, 2014), 13
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